![]() In fact, it’s typically fairly priced compared to other industries. Now, there’s a common misconception that analog gear is expensive simply because it is overpriced. And then you start looking at what it would cost to outfit your studio with a bunch of colorful analog gear… ouch. Clean, quiet, “transparent”… boring? Lifeless, thin, not “like a record.” So you read or you experience first-hand that it’s actually the unique imperfections of analog gear that account for some of that life your mixes are missing. ![]() So you start with an afforable, digital recording setup, which sounds surprisingly good. You want to make great records but you’re not independently wealthy or well funded. Can you explain the genesis of the idea? Why would somebody want this?Ĭolour was born out of a dilemma I’m sure everyone who reads your site can relate to. It might just be the perfect tool for taking the sterile out of your digital recording.Ĭolour, in a nutshell, is an outboard device for adding “color” via analog distortion circuits to a line-level signal. It puts three stages of analog saturation into a shockingly affordable 500-series device. Read on for the inside scoop on the Colour. My pal Peterson Goodwyn of DIY Recording Equipment is launching one of the coolest new audio products I’ve seen in a long time.
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